“[Morricone said] ‘I wrote a whole orchestra score [for The Thing], and I wrote a whole synthesizer score, because I knew that was what [John Carpenter] was used to’,” explained Tarantino, paraphrasing the composer. “’I gave him everything, and the only thing [Carpenter] used in the entire movie was the synthesizer main title [track].’ So basically, if you stay away from the synthesizer main title, all that music that’s on the soundtrack album has never been used in a movie ever. So, [Morricone] goes, ‘What I can do is I’ll write the theme… and with the other Thing pieces of music, now you have your original score that’s never been used in a movie before.’”
After composing an original main theme and handing over the older tracks, Morricone, impressed by the footage he’d seen from the film, composed an additional 15 minutes of new music
A noter que je ne suis pas bilingue et que je comprends surement mal ce qui se dit là. Je pense qu'il y a une incompréhension de certains à cause des traductions et surtout d'une écriture qui manque de clarté et d'informations précises.But when he went to Rome to ask Morricone, the composer didn’t have the time to write a full score. Eventually, Morricone agreed to write 25 minutes of music, including the theme. For the rest of it, he was able to take previously unused tracks from the score he wrote for John Carpenter’s The Thing in 1982—which Tarantino independently cites as the greatest cinematic influence on The Hateful Eight.
Enfin je trouve ça :
Ca rejoint ce que vous dites. Je vais m'en sortir ne vous inquiétez pas.But the composer found himself writing more and more new music. "He asked me for some pieces for important moments of the film," said Morricone, "but I actually wrote much more on the basis of what I read in the script." (Ultimately Tarantino employed only two unused "Thing" cues.)



