30 ans d'écoute de musiqueS de filmS
Publié : ven. 5 janv. 2018 14:10
Je revoyais hier soir les documentaires de Saul Pincus tournés sur l’équipe qui a créé FILM SCORE MONTHLY (édition papier puis version en ligne), je me disais "comment résumer mes sentiments de +quarantenaire et mon appréciation actuelle de la musique de film après une trentaine d'années d'écoute"...
Celui qui le résume le mieux pour moi est Lukas Kendall, qui s'exprimait ici en 2013, à l'occasion de la sortie de son premier film en tant que producteur :
http://www.colonnesonore.net/contenuti- ... art-1.html
http://www.colonnesonore.net/contenuti- ... art-2.html
LK: Film music for me was a kind of identity statement that I made as a teen to differentiate myself from peers from whom I felt alienated. I legitimately liked movies and movie music—I still do—but when you’re a teenager and all the kids are listening to heavy metal and rap, you’re making your own statement by listening to Jerry Goldsmith. Hopefully as I’ve grown into adulthood my tastes have become better rounded, and I’ve come to see the limitations of film music as it is written in support of another medium, and is mostly derived (sorry, but it’s true) from the classical literature.
It’s been enjoyable over the last 20 years to see film and TV music make a larger impact in the popular culture, though I question if it can break through its current ceiling of exposure and popularity.
Celui qui le résume le mieux pour moi est Lukas Kendall, qui s'exprimait ici en 2013, à l'occasion de la sortie de son premier film en tant que producteur :
http://www.colonnesonore.net/contenuti- ... art-1.html
http://www.colonnesonore.net/contenuti- ... art-2.html
LK: Film music for me was a kind of identity statement that I made as a teen to differentiate myself from peers from whom I felt alienated. I legitimately liked movies and movie music—I still do—but when you’re a teenager and all the kids are listening to heavy metal and rap, you’re making your own statement by listening to Jerry Goldsmith. Hopefully as I’ve grown into adulthood my tastes have become better rounded, and I’ve come to see the limitations of film music as it is written in support of another medium, and is mostly derived (sorry, but it’s true) from the classical literature.
It’s been enjoyable over the last 20 years to see film and TV music make a larger impact in the popular culture, though I question if it can break through its current ceiling of exposure and popularity.
