Nouveautés Varèse Sarabande
Publié : mer. 22 juil. 2009 00:51
Bon, pas trouvé de topic consacré aux nouveautés Varèse "pas Club" Sarabande.
Pas mal de noms très connus pour les semaines à venir :
Orphan
de John Ottman
Blabla de Varèse :
The tragic loss of their unborn child has devastated Kate (Vera Farmiga) and John (Peter Sarsgaard), taking a toll on both their marriage and Kate’s fragile psyche as she is plagued by nightmares and haunted by demons from her past. Struggling to regain some semblance of normalcy in their lives, the couple decides to adopt another child. At the local orphanage, both John and Kate find themselves strangely drawn to a young girl named Esther (Isabelle Fuhrman).
Almost as soon as they welcome Esther into their home, however, an alarming series of events begins to unfold, leading Kate to believe that there’s something wrong with Esther — this seemingly angelic little girl is not what she appears to be. Concerned for the safety of her family, Kate tries to get John and others to see past Esther’s sweet façade. But her warnings go unheeded until it may be too late … for everyone.
Composer John Ottman (who also scored director Jaume Collet-Serra’s House Of Wax) contributes a chilling score.
Date de sortie: 21/07/09
Mmmmh, rien de très surprenant pour du Ottman (ça rappelle Hide And Seek). Cela dit, son dernier score, Valkyrie, (sur lequel n'a pas du tout bossé son orchestrateur/directeur d'orchestre habituel Damon Intrabartolo), était vachement bien troussé. A voir s'il réussit à composer un thème intéressant et proposer un univers sonore un tant soit peu renouvelé (ce qu'on attend depuis longtemps de sa part...).
G.I. Joe
d'Alan Silvestri
Blabla de Varèse :
G.I. Joe is a highly trained, classified Special Operations Unit composed of men and women from around the globe. Officially, these warriors don't even exist. Few know the truth — that G.I. Joe fights a secret war, as the first and last line of defense against forces that seek to plunge our world into chaos. Wherever there’s trouble, G.I. Joe is there!
Director Stephen Sommers (The Mummy, Van Helsing) adapts the beloved Hasbro G.I. Joe toy line with this Paramount Pictures production that pits the Global Integrated Joint Operating Entity against the evil forces of the organization known as COBRA. Dennis Quaid and Channing Tatum star as General Hawk and Duke Hauser, respectively, with Joseph Gordon-Levitt and Marlon Wayans leading the rest of the cast, including Sienna Miller, Ray Park, Rachel Nichols, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Saïd Taghmaoui, and Asian film star Lee Byung-hu.
Alan Silvestri, who is the modern master of scoring action blockbusters like Predator, The Mummy Returns and Night At The Museum, not to mention the Back To The Future trilogy, composes the apocalyptic score.
Date de sortie: 04/08/09
Haha, je crois qu'on est plusieurs à l'attendre de pied ferme celui-là.
Verdict dans quelques jours, Colosseum expédiant souvent les nouveautés un peu avant Varèse...
Aliens In The Attic
de John Debney
Blabla:
ALIENS IN THE ATTIC is an adventure/comedy about kids on a family vacation who must fight off an attack by knee-high alien invaders with world-destroying ambitions — while the youngsters' parents remain clueless about the battle. Starring Kevin Nealon, Robert Hoffman, Doris Roberts, Tim Meadows and Ashley Tisdale, and co-scripted by one of the writers of Madagascar and the Academy Award®-winning Wallace and Gromit: The Curse of the Were Rabbit.
The adventurous and fun score was composed by Bruce Almighty composer John Debney.
Date de sortie: 11/08/09
Une comédie familiale fantastico-SF... Là encore du terrain bien connu pour Debney.
Que donnaient Meet Dave, The Ant Bully, et autre Bruce Almighty ?
Je sais pas, mais il semblerait que ça soit de très honnête facture si j'en crois les avis postés ici de temps en temps à ce sujet. Risque de mickey mousing lourdingue peut-être ?
The Final Destination
de Brian Tyler
Blabla de Bob Townson :
On what should have been a fun-filled day at the races, Nick O’Bannon has a horrific premonition in which a bizarre sequence of events causes multiple race cars to crash, sending flaming debris into the stands, brutally killing his friends and causing the upper deck of the stands to collapse on him. When he comes out of this grisly nightmare, Nick panics, persuading his girlfriend, Lori, and their friends, Janet and Hunt, to leave ... escaping seconds before Nick’s frightening vision becomes a terrible reality. Thinking they’ve cheated death, the group has a new lease on life, but unfortunately for Nick and Lori, it is only the beginning. As his premonitions continue and the crash survivors begin to die one by one — in increasingly gruesome ways — Nick must figure out how to cheat death once and for all before he, too, reaches his final destination. The film marks the latest in the highly popular Final Destination series, and its first 3D installment, giving horror fans an especially visceral thrill ride.
The death-defying score is the latest from Fast & Furious composer Brian Tyler. The album will feature a 13-minute suite recorded just for this soundtrack!
Date de sortie: 25/08/09
Encore un ! Il l'a à la bonne le Tyler, Bob. A croire qu'il se vend très bien parce que ça défile, les cds! Surprise, c'est le premier score de la saga des Final Destination a avoir l'honneur d'une édition cd, après trois opus signés Shirley Walker. Tyler fera très certainement référence à son travail, comme à son habitude quand il reprend un univers musical (Alien Vs. Predator: Requiem). Si ça pouvait annoncer l'édition des précédents scores ça serait cool (oui c'est beau de rêver ).
EDIT= Le thème de Shirley Walker apparaît bel et bien (crédité au dos de la pochette).
True Blood
de Nathan Barr
Bob's blabla:
TRUE BLOOD chronicles the backwoods Louisiana town of Bon Temps … where vampires have emerged from the coffin, and no longer need humans for their fix. Sookie Stackhouse (Anna Paquin, Golden Globe®-winner for True Blood, Academy Award®-winner for The Piano) works as a waitress at the rural bar Merlotte’s. Though outwardly a typical young woman, she keeps a dangerous secret: she has the ability to hear the thoughts of others. Her situation is further complicated when the bar gets its first vampire patron — 173-year-old Bill Compton (Steven Moyer, Quills) — and the two outsiders are immediately drawn to each other. Delivering the best of what audiences have come to expect from Creator and Executive Producer Alan Ball (writer of Oscar®-winning Best Picture American Beauty, creator of the Emmy® Award-winning HBO® series Six Feet Under), TRUE BLOOD is a dark and sexy tale that boldly delves into the heart — and the neck — of the Deep South.
The evocative score — slightly seasoned with regional influence — is composed and performed by Hostel veteran Nathan Barr.
Date de sortie: 08/09/09
Cool ! Connais pas la série, mais le sujet est assez sympa, et Nathan Barr un compositeur très prometteur (Hostel, Hostel: Part II, Shutter). Là dessus il semble avoir joué tous les instruments (c'est un violoncelliste à la base, je crois). Petite vidéo sur son site perso à propos de True Blood. Une musique de série à rapprocher de celle de Dexter par Daniel Licht ?
Whiteout
de John Frizzell
Annonce signée Varèse:
In WHITEOUT, the film adaptation of the popular graphic novel, Carrie Stetko (Kate Beckinsale) is a lone U.S. Marshal assigned to Antarctica whose investigation of the continent’s first murder draws her into a shocking mystery. Now, with only three days until winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.
The tense and compelling score is from Ghost Ship composer John Frizzell.
Date de sortie: 08/09/09
Très content de voir un nouveau score de Frizzell édité. Le dernier en date, il me semble, était le très très bien foutu The Reaping. Espérons qu'il nous a pondu un thème sympa qu'il torturera à loisir tout au long de ce Whiteout.
Coco Before Chanel
d'Alexandre Desplat
Déjà sorti depuis plusieurs mois en Europe chez Colosseum
Sortie US: 15/09/09
Pas mal de noms très connus pour les semaines à venir :
Orphan
de John Ottman
Blabla de Varèse :
The tragic loss of their unborn child has devastated Kate (Vera Farmiga) and John (Peter Sarsgaard), taking a toll on both their marriage and Kate’s fragile psyche as she is plagued by nightmares and haunted by demons from her past. Struggling to regain some semblance of normalcy in their lives, the couple decides to adopt another child. At the local orphanage, both John and Kate find themselves strangely drawn to a young girl named Esther (Isabelle Fuhrman).
Almost as soon as they welcome Esther into their home, however, an alarming series of events begins to unfold, leading Kate to believe that there’s something wrong with Esther — this seemingly angelic little girl is not what she appears to be. Concerned for the safety of her family, Kate tries to get John and others to see past Esther’s sweet façade. But her warnings go unheeded until it may be too late … for everyone.
Composer John Ottman (who also scored director Jaume Collet-Serra’s House Of Wax) contributes a chilling score.
Date de sortie: 21/07/09
Mmmmh, rien de très surprenant pour du Ottman (ça rappelle Hide And Seek). Cela dit, son dernier score, Valkyrie, (sur lequel n'a pas du tout bossé son orchestrateur/directeur d'orchestre habituel Damon Intrabartolo), était vachement bien troussé. A voir s'il réussit à composer un thème intéressant et proposer un univers sonore un tant soit peu renouvelé (ce qu'on attend depuis longtemps de sa part...).
G.I. Joe
d'Alan Silvestri
Blabla de Varèse :
G.I. Joe is a highly trained, classified Special Operations Unit composed of men and women from around the globe. Officially, these warriors don't even exist. Few know the truth — that G.I. Joe fights a secret war, as the first and last line of defense against forces that seek to plunge our world into chaos. Wherever there’s trouble, G.I. Joe is there!
Director Stephen Sommers (The Mummy, Van Helsing) adapts the beloved Hasbro G.I. Joe toy line with this Paramount Pictures production that pits the Global Integrated Joint Operating Entity against the evil forces of the organization known as COBRA. Dennis Quaid and Channing Tatum star as General Hawk and Duke Hauser, respectively, with Joseph Gordon-Levitt and Marlon Wayans leading the rest of the cast, including Sienna Miller, Ray Park, Rachel Nichols, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Saïd Taghmaoui, and Asian film star Lee Byung-hu.
Alan Silvestri, who is the modern master of scoring action blockbusters like Predator, The Mummy Returns and Night At The Museum, not to mention the Back To The Future trilogy, composes the apocalyptic score.
Date de sortie: 04/08/09
Haha, je crois qu'on est plusieurs à l'attendre de pied ferme celui-là.
Verdict dans quelques jours, Colosseum expédiant souvent les nouveautés un peu avant Varèse...
Aliens In The Attic
de John Debney
Blabla:
ALIENS IN THE ATTIC is an adventure/comedy about kids on a family vacation who must fight off an attack by knee-high alien invaders with world-destroying ambitions — while the youngsters' parents remain clueless about the battle. Starring Kevin Nealon, Robert Hoffman, Doris Roberts, Tim Meadows and Ashley Tisdale, and co-scripted by one of the writers of Madagascar and the Academy Award®-winning Wallace and Gromit: The Curse of the Were Rabbit.
The adventurous and fun score was composed by Bruce Almighty composer John Debney.
Date de sortie: 11/08/09
Une comédie familiale fantastico-SF... Là encore du terrain bien connu pour Debney.
Que donnaient Meet Dave, The Ant Bully, et autre Bruce Almighty ?
Je sais pas, mais il semblerait que ça soit de très honnête facture si j'en crois les avis postés ici de temps en temps à ce sujet. Risque de mickey mousing lourdingue peut-être ?
The Final Destination
de Brian Tyler
Blabla de Bob Townson :
On what should have been a fun-filled day at the races, Nick O’Bannon has a horrific premonition in which a bizarre sequence of events causes multiple race cars to crash, sending flaming debris into the stands, brutally killing his friends and causing the upper deck of the stands to collapse on him. When he comes out of this grisly nightmare, Nick panics, persuading his girlfriend, Lori, and their friends, Janet and Hunt, to leave ... escaping seconds before Nick’s frightening vision becomes a terrible reality. Thinking they’ve cheated death, the group has a new lease on life, but unfortunately for Nick and Lori, it is only the beginning. As his premonitions continue and the crash survivors begin to die one by one — in increasingly gruesome ways — Nick must figure out how to cheat death once and for all before he, too, reaches his final destination. The film marks the latest in the highly popular Final Destination series, and its first 3D installment, giving horror fans an especially visceral thrill ride.
The death-defying score is the latest from Fast & Furious composer Brian Tyler. The album will feature a 13-minute suite recorded just for this soundtrack!
Date de sortie: 25/08/09
Encore un ! Il l'a à la bonne le Tyler, Bob. A croire qu'il se vend très bien parce que ça défile, les cds! Surprise, c'est le premier score de la saga des Final Destination a avoir l'honneur d'une édition cd, après trois opus signés Shirley Walker. Tyler fera très certainement référence à son travail, comme à son habitude quand il reprend un univers musical (Alien Vs. Predator: Requiem). Si ça pouvait annoncer l'édition des précédents scores ça serait cool (oui c'est beau de rêver ).
EDIT= Le thème de Shirley Walker apparaît bel et bien (crédité au dos de la pochette).
True Blood
de Nathan Barr
Bob's blabla:
TRUE BLOOD chronicles the backwoods Louisiana town of Bon Temps … where vampires have emerged from the coffin, and no longer need humans for their fix. Sookie Stackhouse (Anna Paquin, Golden Globe®-winner for True Blood, Academy Award®-winner for The Piano) works as a waitress at the rural bar Merlotte’s. Though outwardly a typical young woman, she keeps a dangerous secret: she has the ability to hear the thoughts of others. Her situation is further complicated when the bar gets its first vampire patron — 173-year-old Bill Compton (Steven Moyer, Quills) — and the two outsiders are immediately drawn to each other. Delivering the best of what audiences have come to expect from Creator and Executive Producer Alan Ball (writer of Oscar®-winning Best Picture American Beauty, creator of the Emmy® Award-winning HBO® series Six Feet Under), TRUE BLOOD is a dark and sexy tale that boldly delves into the heart — and the neck — of the Deep South.
The evocative score — slightly seasoned with regional influence — is composed and performed by Hostel veteran Nathan Barr.
Date de sortie: 08/09/09
Cool ! Connais pas la série, mais le sujet est assez sympa, et Nathan Barr un compositeur très prometteur (Hostel, Hostel: Part II, Shutter). Là dessus il semble avoir joué tous les instruments (c'est un violoncelliste à la base, je crois). Petite vidéo sur son site perso à propos de True Blood. Une musique de série à rapprocher de celle de Dexter par Daniel Licht ?
Whiteout
de John Frizzell
Annonce signée Varèse:
In WHITEOUT, the film adaptation of the popular graphic novel, Carrie Stetko (Kate Beckinsale) is a lone U.S. Marshal assigned to Antarctica whose investigation of the continent’s first murder draws her into a shocking mystery. Now, with only three days until winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.
The tense and compelling score is from Ghost Ship composer John Frizzell.
Date de sortie: 08/09/09
Très content de voir un nouveau score de Frizzell édité. Le dernier en date, il me semble, était le très très bien foutu The Reaping. Espérons qu'il nous a pondu un thème sympa qu'il torturera à loisir tout au long de ce Whiteout.
Coco Before Chanel
d'Alexandre Desplat
Déjà sorti depuis plusieurs mois en Europe chez Colosseum
Sortie US: 15/09/09